Of mice and men typicallity Comparison Essay

How typical is this passage of the itinerarys in which Steinbeck using ups detail to make readers think about events and characters? (27)This passage contains many techniques and parableic details typical of those Steinbeck has engrossd passim the novel Of Mice And Men. For congresswoman the using up of light to suggest what is about to occur, reflecting the mood of the writing accompanying it completely. For example insolate streaks highlightsoft has a very deeply meaning, and goes along way to suggest what is to occur in the eyeshot with the blossom of the sun metaphorically demonstrate the lateness of the hour for some ace in the novel.hither it is almost certainly used to show what is to become of Lennie, with the light from the sun, the root of all life on earth fading and growing weak, implying metaphorically that his life is nearing its end that his clock time at the ranch is about to be cut short, serious as it had in every job that had preceded them. The use of natural imagery to show inevitability is non an unusual have got in this novel, with the narrow beams of light that are referred to here as sun streaks used earlier in this scene, during the discussion between Lennie and Curleys wife used to portray prison bars, suggesting this time that it is impossible for her to escape her fate, that just like so many new(prenominal) times in this novel, devastation is inevitable.The way that Curleys wife has been portrayed throughout this novel, as a flirt and trouble maker, is explored here in a very kindle way, with Steinbeck taking advantage of what had taken place to her to offer an element of tag on ascertaination on her character allowing her, through death, to tell her avouch explanation a very different wizard to the one woven by the ranch hands. One the one hand how she was in life is express obviously and with no hint of delicacy, the meanness and acheattention that was evidently shown on her face offering a very simpl e attend upon the seeming(prenominal) side of her character, but written in an ironicalally superficial style, allowing for the first time a hint at her true self-importance to be displayed a side that had by no means been explored forward hand.In death, it seems that Steinbeck wanted to show how she could have been, how she and other women perhaps would be if not for the distraction, if not for the false sense of purpose installed in their heads by men. In death she is alone, alone with no need for the make up, the captivate or the sense that she is inadequate. When she has no one to chance upon, when there is no one left for her to aspire to or feel a need to impress she is pretty and simple, sweet and young, a far word from the jail bait that she was referred to earlier in the novel.This viewpoint is one that was not offered by Steinbeck whilst she was alive, and so from that point of view this extract is highly atypical, and is the sole place in the novel that offers a ch ance to look upon women caught up in much(prenominal) occurrences as equally unfortunate and suppressed as the men that shared their fate. The briefness of this idea in the novel is deliberate, showing the discrimination women suffered from in the 1930s an idea explored consistently throughout this novel.The use of animalistic imagery is besides highly typical of the novel, with the use of the Shepard grouse and the pigeon in this scene highly typical of the novel. Steinbeck uses these animals in a way as such to show that they appear to have a degree of intelligence, an ability to feel foreboding where as Lennie, who was also subjected to anthropomorphosis by Steinbeck, and to that extent had no power to see what was to occur, no power to leave when was indispensable the pigeon circled then flew out , the bitchcaught dead scentscampered away. In short lennie, despite all his characteristics, possesses less ability to asses a situation and its dangers than the simplest of animals.This is a confusing message, as he is fork outed with many animalistic qualities throughout the novel, however it is justifiable in that he is portrayed, crucially through metaphor as almost animalistic (paw like hands) He retains features and certain characteristics, and yet possesses none of the survival instinct, none of the ability to interpret a situation, no sense of flight and/or fight (shown by his need to be instructed to harm Curley in the barn ( go on Lennie, fight back you crazy son of a bitch)). He is innocent as the purest of animal, the simplest of minds, and yet this seemingly perfect existence has catastrophic effect on the lives of the two men he is incompatible with human race life, with society and as such he is tragically driven from it by the man who gave so much in an attempt to integrate him, his tete-a-tete George.The demise of Lennie, the nature of it and the inevitability of such an occurrence are also highlighted through use of animals, givin g more evidence to the typicality of this extract in comparison to the rest of the novel. Candys dog is slain by a thirdly crock upy, and the greatest regret of candy is that he did not take his own dogs life. The similarities between the fates of the dog and lennie are blinding and it is through this that it is made tragically evident what is to occur to lennie, and who it must be to do it George must be the one to end his suffering, the one to send him to a better place, one where perhaps, he will be compatible.Steinbeck follows the conformations of descriptive writings with his work, and appeals to the senses of the reader in order to create the desired effects. He did so during the scene of the murder, where the proceeding running up to, and the time immediately thereafter containing no sound, lone(prenominal) a deadly serenity with not even an animal present to disturb the deathly silence. He does so here too by manipulating the effects of sound, and the constant of time, d eliberately altering their behaviour perhaps with ironic motive if hardly there had been people present outside to yard noise at the time of the murder, someone to hear her scream if only there had been a possibility for time to stand keep mum, for enough time to pass in the barn for George to come and rescue Lennie, as he has done so often before.The need to silence the noise outside, the indifference of even a whimper from the puppies who were present in the barn suggests such a motive is possible, and that here, like in so many other places in the novel, the sound, or the lack of it, is highly relevant. Just as the submarine sandwich swooped silently to catch the wriggling water snake, so here silence prevails, a silence that shows intention on Steinbecks part, tragedy on the part of Lennie and is a perfect reflection of the readers mindset in reading the scene aware what was to occur there, perfectly capable of deducing from the many escalating signs that it was coming, and yet still silenced by the reality of something so innocent as Lennie committing such an atrocity. The use of sound and time then is not merely a typical feature this passage shares with the rest of the novel it is an integral feature that naturally they all have in common.