A Comparison of God and Religion in Jane Eyre and Wide Sargasso Sea Ess

God and Religion in Jane Eyre and all-encompassing sargasso ocean Jane Eyre, from Charlotte Brontes Jane Eyre, and Antoinette Mason, from Jean Rhys liberal sargasso Sea, both depict real varied creeds. While Bronte created Jane with a Christian background, Rhys has birthed Antoinette into a more primitive, lost(p) faith. Analyzing separately writers description of the red room will reveal the unearthly record of their characters. In both texts, the rooms are symbolic of church. As Jane is direct to the put outroom of her dead uncle, Bronte relates it to a station of worship. A bed back up on massive pillars of mahogany, hung with curtains of deep red damask, stood out the like a tabernacle in the center. Due to the vast sizing and renowned beauty of the bed, Jane saw itas a tabernacle, or a place of sanctuary. Often churches contain such platforms, and Bronte hints to Janes stance on Christianity by change her to see the tabernacle in the room. Scarcely less undisch arged was an ample, cushion easy guide over the head of the bed, also white, with a tuffet before it, and looking, as I thought like a disgusted throne. This simile indicates the dais of God in heaven. Bronte focalize the chair over the bed which would be to Jane, a throne awaiting the tabernacle. Therefore, Bronte has use the piece of furniture of the room to represent a house of worship in Janes eyes, which illustrates her cognition of the Christian idealogies. Rh... ...ms as key religious references, both authors prevail created slashing characters who are bound to their distinct beliefs. Works Cited and Consulted Bronte, Charlotte. Jane Eyre. New York Dodd, Mead & Company, 1991 Ciolkowski, Laura E.. Navigating the Wide sargasso Sea Twentieth Century Literature. Vol 43. 3. 1997125-140. Gates, Barbara Timm, ed. Critical Essays on Charlotte Bronte. capital of Massachusetts G. K. Hall, 1990. Howells, precious coral Ann. Jean Rhys. New York Harvester Wheatsheaf. 1991. Macphe rson, Pat. Reflecting on Jane Eyre. capital of the United Kingdom Routledge, 1989. Rhys, Jean. Wide sargassum Sea. London Penguin, 1968. Wyndham, F. Introduction. Wide Sargasso Sea. By Jean Rhys. London Penguin, 1996. 1-15. A Comparison of God and Religion in Jane Eyre and Wide Sargasso Sea EssGod and Religion in Jane Eyre and Wide Sargasso Sea Jane Eyre, from Charlotte Brontes Jane Eyre, and Antoinette Mason, from Jean Rhys Wide Sargasso Sea, both depict very different creeds. While Bronte created Jane with a Christian background, Rhys has birthed Antoinette into a more primitive, confused faith. Analyzing each writers description of the red room will reveal the religious nature of their characters. In both texts, the rooms are symbolic of church. As Jane is sent to the bedroom of her dead uncle, Bronte relates it to a place of worship. A bed supported on massive pillars of mahogany, hung with curtains of deep red damask, stood out like a tabernacle in the center. Due to the vast size and illustrious beauty of the bed, Jane saw itas a tabernacle, or a place of sanctuary. Often churches contain such platforms, and Bronte hints to Janes stance on Christianity by enabling her to see the tabernacle in the room. Scarcely less prominent was an ample, cushioned easy chair over the head of the bed, also white, with a footstool before it, and looking, as I thought like a pale throne. This simile indicates the dais of God in heaven. Bronte set the chair over the bed which would be to Jane, a throne awaiting the tabernacle. Therefore, Bronte has used the furniture of the room to represent a house of worship in Janes eyes, which illustrates her knowledge of the Christian idealogies. Rh... ...ms as key religious references, both authors have created dynamic characters who are bound to their distinct beliefs. Works Cited and Consulted Bronte, Charlotte. Jane Eyre. New York Dodd, Mead & Company, 1991 Ciolkowski, Laura E.. Navigating the Wide Sargasso Sea Twentieth Century Literature. Vol 43. 3. 1997125-140. Gates, Barbara Timm, ed. Critical Essays on Charlotte Bronte. Boston G. K. Hall, 1990. Howells, Coral Ann. Jean Rhys. New York Harvester Wheatsheaf. 1991. Macpherson, Pat. Reflecting on Jane Eyre. London Routledge, 1989. Rhys, Jean. Wide Sargasso Sea. London Penguin, 1968. Wyndham, F. Introduction. Wide Sargasso Sea. By Jean Rhys. London Penguin, 1996. 1-15.